More pics from Cannes! Haley Lu and Director Kogonada attended the “Benedetta” Red Carpet and the Chopard Trophy Photocall last night in Cannes. Photos have been added to the gallery. Enjoy
117 HQ pictures of Haley Lu at the Stillwater Premiere have been added to the gallery ♥ ♥ ♥ ♥
at the 3:20 min mark
Hey! Haley Lu Richardson, Jodie Turner-Smith, Malea Emma Tjandrawidjaja and Director Kogonada attended the “After Yang” photocall during the 74th annual Cannes Film Festival on July 08, 2021 in Cannes, France. 108 HQ pictures have been added to the gallery!
Good news! Kogonada’s drama-sci-fi ‘After Yang‘ will debut in Un Certain Regard at the 2021 Cannes Film Festival.
[…] Rounding out the main cast of characters is mysterious Ada, bleached-blonde and Kohl-eyed. First seen sneaking around Jake’s empty house when the family is out, Ada also appears in some of Yang’s stored memories, a cipher. She has a connection to Yang that’s best left for audiences to discover.
For this pivotal role, a Kogonada addition to the short story, he had only one actor in mind: Haley Lu Richardson, the magnetic young actress who was a co-lead in Columbus and had key supporting turns in The Edge of Seventeen and Split.
“His vibe is purely creative, collaborative and peaceful,” says Richardson. “I literally love him and I want to be in anything he ever makes.”
“Haley Lu means so much to me” says the director, grateful for their collaboration. “I have a lot of trust in her. I put Columbus on her shoulders, and she carried it with such grace and determination. There was no place to hide in that film, not a lot of plot or coverage. She had to be present at all times, and she was more than that. Haley Lu attunes you to the moment and to unspoken layers of emotion.”
Richardson admits to becoming obsessed with the idea of playing Ada, taking cues from the script but also the makeup and hairstyling. “I was really transformed by those departments, which helped me find Ada even more,” she says. “She has a desperation to find herself as her own person.”
She also has come to appreciate the rarity of an artist like Kogonada. “I knew about the concept of ‘less is more’ but I didn’t understand fully how that correlates with acting and moviemaking until Columbus,” Richardson says.
“He just completely opened my mind to how much more powerful it can be when you use restraint and get people thinking about things instead of forcing a bunch of answers down their throat.” […]
VARIETY – To tackle abortion through the lens of a road trip comedy required a sense of grace and wit from the cast and crew of “Unpregnant.” In finding this balance, director and co-writer Rachel Lee Goldenberg had a single guiding mission.
“My goal from the beginning, and still is, it’s just that I just want to normalize and de-stigmatize abortion,” Goldenberg told editor Jenelle Riley in the Variety Streaming Room presented by HBO Max. “I want people to be able to say the word, I want people to know that they can talk about it and that their friends can talk about it and that most Americans support abortion and that that fact is purposely hidden.”
“Unpregnant” sees estranged high school students Veronica and Bailey rekindle their friendship to drive from Missouri to New Mexico so Veronica can get an abortion at a clinic that provides the service without her parents’ mission.
“When we were doing the scene, actually driving into the clinic and all those extras were there protesting and everything, that felt very real and intense,” Haley Lu Richardson said, who plays Veronica. “That actually shocked me in my core.”
Not all moments in the movie are so heavy, particularly thanks to Barbie Ferreira’s Bailey, an emo zoomer distinguished by a shock of green hair. Her dry sense of humor invigorates “Unpregnant,” but its also a method of deflection so that she doesn’t have to deal with her feelings.
“I feel like if I get myself to a place where I’m ready to be emotional, for me, it takes time and intention. I can’t just turn it on,” Ferreira said. “I like to just watch like mindless reality TV, and try to just like go to sleep really early and wake up and have a fresh new day, because it’s hard to get out of that.”
The buddy comedy finds a sweet spot in unveiling absurdity of reality, such as when Veronica points out the backward logic in teens being able to “birth a human child,” but needing parental consent for an abortion.
“There’s so much inherent comedy and in life,” Goldenberg said. “The guiding principle when people in bad faith have said, ‘oh, this, this movie thinks abortion is funny.’ It’s like, we’re never making jokes about abortion. All the jokes are coming from why is it so hard to get this abortion? Like why is this journey so hard? And so that really frees us to let inherent humor.”